Jesse L. Martin takes an in-depth look at some of the most notorious crimes, mysteries, trials and celebrity tragedies of our time.

A struggling filmmaker finds himself involved in a dark world of guns, drugs and prostitution.

Pro Wrestling Fujiwara Gumi was a shoot style professional wrestling promotion based in Tokyo, Japan. This event was held on July 26th, 1991 at Tokyo Bay NK Hall in Chiba Japan and presented the following matches: Kazuo Takahashi vs. Mark Rush, Bart Vale vs. Lato Kiraware, Wayne Shamrock vs. Duane Koslowski, Yusuke Fuke vs. Lawi Napataya, Minoru Suzuki vs. Naoki Sano & Yoshiaki Fujiwara vs. Masakatsu Funaki.

It’s Just Business, Baby is also part of the trilogy of the same name. The film captures an encounter between a client and a working girl where the lines of care are blurred following a session. The film repeats this encounter with the same actors switching parts to trouble the relationship of power that exists between that dynamic.

On her last night alive, a sick woman and her husband invite a young friend to join them for what is meant to be a civilized final dinner.

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日常のなかで、不意に訪れる衝動がある。 　　Everyone has impulse which happen suddenly in their life. 　　【ノミネート】 　　■オタワ国際アニメーション映画祭2012　学生部門 　　■文化庁メディア芸術祭2012　アニメーション部門　審査員推薦作品 　　■シュツットガルト国際アニメーション映画祭2013　学生部門 　　■SICAF2013　学生部門 　　■メルボルン国際アニメーション映画祭2013　一般部門 　　■ロンドン国際アニメーション映画祭2013　一般部門 　　■ノースウエストアニメーション映画祭2013　一般部門 　　■Wiesbaden International Weekend of Animation 2013　一般部門 　　■トロント国際映画祭 tiff kids2013　招待上映

海报是1983年意大利电影Nati con la camicia，本片其实是部爱情动作片。

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

A hip, 25-year-old New York editor is about to return to her midwestern hometown, steeled for a visit with her larger-than-life über-mom, and steadfast in her commitment to avoiding a staid family life of husband and 2.5 children by age 29. That is until her boyfriend turns up by surprise, and sets in motion a chain of events that will cause her to see past her mother's facade of designer clothes and country club lunches to the pain of a woman caught in a rocky marriage, and give her mother an understanding of the life she equipped her daughter to choose.